“jai” says he, as you nod past him
He pines after his father leaves
For work, to cut firewood for the rich
The rich, pretending to absorb the forest in heated rooms
and in luxury
“papa ji, papa ji” he yells and let’s tears take over.
For he knows that his daddy won’t turn.
He plays with the dogs and watches
Just watches his pregnant mother grunt under the load of
grass on her head.
He likes the city girl in the pink hat
She brings candy and a camera
And he can smile for the lenses in oversized glasses
That make him look like a metamorphosed bee.
Camus would have been proud or sad.
He likes the city girl for the funny things she has
But he hates her for taking her dad away
He doesn’t know why she does it.
He doesn’t know what service or staff mean
But he does know “Aubert” his friend.
“Aubert, aubert” he cries
And Robert always comes. Panting and delighted
Always wagging his tail for the boy in the red jacket and a
tiny ponytail.
He listens to the radio while his mummy and papa ji converse
in low tones
They seem unhappy, upset. But he didn’t wet the bed.
It must be that voice on the radio.
Next morning, he flits happily across the fields
Skidding, stumbling but running toward papa ji
In his joy, he cries out the new word from the radio.
“Rape, rape, papa ji rape”
When your three year old knows without meaning a word
When your three year old is happy to sing it
You wonder, where did we go wrong?
You wonder, how the pure forests of cedar and silver oak
Now lie polluted with the echoes of city crime
Through the voice of a child.
And I, the city girl, I hang my head in shame.
In shame for the ruins, the smoke, the pollution, the
brutality
That the city breezes onto a child
A mere child in the forest.
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